Review for Red Hood and the Outlaws #24
No more Mr. Nice Guy. Jason Todd has been playing by Batman'south rules for a while now. Aided past his briefly-intelligent friend Bizarro, and the mighty Amazon Artemis, Ruby Hood cleaned upward a lot of crime in his metropolis, and everything seemed similar it was going well. But the good doesn't last in Gotham, and a perfect tempest of personal and team problems has swelled, pushing Jason over the edge. Now the Penguin lies in disquisitional condition with a bullet in his head, and the Dark Knight is coming to call Jason out. Is this it for the Outlaws? Find out inCherry-red Hood and the Outlaws #25.Spoilers ahead.
The end of an era
For twenty-five issues—just over 2 years of storytelling—Scott Lobdell has taken the states on an activity-packed, emotional ride with his team of misfit heroes. Warming to Bizarro happened early and easily. Every bit we learned more of Artemis, and saw past her hard exterior, she, besides became more than than comic relief. And through both of them, we saw a side of Jason that managed to make fifty-fifty me—no fan of the second Robin in whatsoever fashion—a believer. And so now, with the group breaking up for the foreseeable futurity, I am saddened.
Merely it is a sorrow free of bitterness. Lobdell gave united states of america a great ride, and he brought us to this betoken organically. The trouble with Bizarro has been brewing for some time, and information technology was never clear that information technology would ultimately necktie into the demise of the team. It didn't feel like we were marching toward an inevitable determination—it only seemed like we were taking part in the life of the Outlaws. Whether or non Lobdell had such an end planned at the start, it doesn't feel similar an capricious agenda that the story but had to accommodate; rather, it blossoms naturally from the events of the past two years in a way that is satisfying even as it is sad.
All of Jason's character growth survives, too. Folks accept been lobbying for a more fell Cerise Hood, and information technology looks like we're getting him; but the catalyst is more than circuitous than "screw you, Batman, your rules don't work." Lobdell instead gave Jason a very personal motivation—ane that simply about anyone tin identify with—and made it the spark that ignited Red Hood'southward tearing regression. Coming to terms with what happened in that warehouse with the Joker is 1 affair; coming to terms with what happened to your parents—the foundation of a screwed upwards life like Jason's—that's another affair entirely.
Bat blood
The showdown(southward) with Batman are pretty swell, too. In summary, Jason doesn't stand a hazard, and Bruce beats the crap out of him. Die-hard Jason fans may non similar how one-sided the action is, but after ii years of Bats getting his lesser handed to him inDetective Comics, it's awfully nice to see the all-time of the all-time really fight like it. Maybe some folks will take a problem with Bizarro and Roy getting the drop on him, but I'yard okay with information technology—he may outclass Jason, just he didrailroad train Jason, so it'due south not similar he can just fight him on autopilot.
The action here—and everywhere—is rendered beautifully by three teams of artists, including the team that's most identified with this series, Dexter Soy and Veronica Gandini. I oasis't been scrutinizing solicits, and then maybe this is already known, but I get a sneaking suspicion that they won't be on the book much longer. And while I would exist sorry if that were true, this would be a heck of a way to go out, with a whole lot of our three Outlaws and enough of highly-detailed bombast. The other artists—including Trevor Hairsine, who drew one of my favorite issues of whatever comic this year withRHATO #23—exercise a fine job, too, but y'all'll forgive me if I'one thousand fixated on the coiffure that helped Lobdell define this series.
Taylor Esposito is in his usually skillful form, besides. With all of the action this time, the dialogue isn't as dumbo as information technology's been at times in the past; merely Taylor takes it in footstep. The balloons are readable (and information technology goes past pretty rapidly!) and aesthetically well-situated in the panels, and he gets to pull out a fair bit of SFX—something he's rather proficient at—from his toolbox.
That fill-in, though…
I enjoyed the backup on several levels. The obvious reason is because of what information technology ways for Jason personally, but beyond that, I thought it was clever of Lobdell to bookend this kickoff large arc of storytelling with Fae Gunn—a scary, gun-toting crone at the commencement, but a forlorn, sympathetic friend (and much more) past the end. And because Lobdell succeeded in making me care about Jason in the offset place, this all matters and then much more information technology otherwise would have.
Recommended if…
- You lot've been sticking withRHATO from the get-go, and you want to see how the past two years of storytelling come to a close.
- You like nice things.
- You miss seeing a Batman who really knows how to fight.
Overall
Red Hood and the Outlaws is the unsung hero of DC'due south now-defunctRebirth initiative. It gave hope and optimism to a set of characters that near folks didn't think deserved them. Information technology gave us eye-warming relationships, plenty of laughter, and pages and pages full of excellent comic artwork.Red Hood and the Outlaws #25 is a touching conclusion to the series' first two years; and while information technology's deplorable to let get of how things have been, I'm looking forward to seeing what's in store side by side.
SCORE: nine/10
Source: https://batman-news.com/2018/08/08/red-hood-and-the-outlaws-25-review/
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